A busy travel writer goes glamping at a state park with her best friend and finds herself falling in love with one of the park rangers.

Yoon-hee is so harassed by her husband's obsession and frantic love, that even breathing is painful to her. One day, her sudden suicide attempt is foiled when someone takes her in his arms and saves her. Hyeong-joon is a rough-looking detective. He asks nothing, but maybe he knows that for some people, just being alive is hard enough.Yoon-hee goes looking for Hyeong-joon, and from the moment she sees him, feels that he already loves her deeply. Because she knows it is totally impossible to be free from her prison of marriage, the peace and happiness she feels at Hyeong-joon's side is heartbreaking and frightening. Hyeong-joon, used to his life of loneliness and despair, loves Yoon-hee at first sight, but as he can't do anything for her, just lets her go. The only thing he can do is to offer her and himself some comfort.

Beyond the front door of an old, decrepit house is buried a horrible and tragic past. One horryfing and gory night a family of four is brutally hacked to pieces. The only survivor is the young and beautiful housekeeper, Ella. When she steps out of the house one day, she has no idea that she is about to be snatched by failed bank-robber Jason Goodis. Goodis, however, could not have imagined that the innocent hostage he is dragging back inside, has an unquenchable thirst for blood!

Chinese American playwright and wannabe social influencer seeks fame and fortune, American-style – by exploiting her family’s Gold Rush history as sex traffickers and vaudevillians, only to be set straight by family ghosts in a musical odyssey through America’s anti-Asian hate and filial Chinese expectation.

Documentary that delves into the film's production in good fashion

After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.

Two intertwined families who have made half a century of cinema. La Grande Bouffe, We won’t grow old together, Tchao Pantin, Apocalypse Now, Bienvenue Chez les Ch’tis, The Artist. At the center of this family, an unknown to the general public: Paul Rassam. His brother and his brother-in-law are more famous: the sulphurous Jean-Pierre Rassam and Claude Berri. It is a story peppered with drama, and today, a new generation has taken over. Thomas Langmann – son of Claude Berri – and Dimitri Rassam, son of Carole Bouquet and Jean-Pierre Rassam.

A family has a hard time tying to stay together, because murder seems to be in their blood, and a their favorite type of gathering is a massacre.

Jin-ah sees Tae-yeong at her boyfriend Cheol-min's shop, and falls in love with his handsome face. To meet Tae-yeong, Jin-ah invites him and Cheol-min to her house. Cheol-min finds out that Jin-ah likes Tae-yeong, and he is very jealous. In the end, Tae-yeong leaves and heads to Jin-ah's house alone.

This story revolves around a girl named Lee Soo-jung who was adopted and raised by her adoptive parents, Park Geum-ok and her father Lee Kyung-tae and her brother Lee Soo-ho. Lee Soo-jung is often in a bad relationship with Ma Ye-ri.